Isabel Carreras Baquer

Heim

ich will zurück nach Hause gehen :.)

Danke Agnès...

Ja ho tinc! Demà a les 19.00h al Iaac, faran una conferència titulada "Surplus and urban space" on el Miguel Robles Duran explicarà una mica la seva metodologia de treball. Avui a la ETSAV ha sigut superinteressant. Ens ha ensenyat un projecte real que han començat a desenvolupar a Caracas "Caracas Country Club". Està clar que el tema és molt més urbanístic que arquitectònic. No sé si a tu t'interessarà massa. Resumint et puc dir que la idea més interessant que he extret de tot això, és que el seu estudi es planteja, o té l'ambició, de redefinir el paper de l'arquitecte i la seva manera d'actuar i de treballar i d'enfrontar-se als projectes. Per tal de fer això, treballen amb molta més profunditat el teixit social....en fi...el millor és que t'ho expliqui ell mateix. Referents relacionats amb aquest tio: Teddy Cruz (en la part pràctica), David Harvey (en la part teòrica).
Aquesta és la seva web

(estructura de post tipus "email")

viva la vida*

(p1) Unitat d'habitatge 1: hab+umbracle+hivernacle

topos

Idees

Les pantalles acústiques

Alfons Soldevila

Play with the Place

system of interaction + station + topography + green + path + bridge....

Cities for a small planet

..................................................................... working with nature

a major extension of the public realm created by suspending the three giant halls in order to give the entire street level over to public use...halls suspended like ships in dry dock...

I am going to LONDON

by Nigel Peake

Espais d'altres mons

el meravellós món dels espais públics, semipúblics, oberts, coberts, semioberts, transpirables, ombrívols, frescos, lluminosos.... intentant immaginar ambients de vida, bona vida

Roman + Hellenistic + Muslim

Damascus

settlement

semi-sedentary settlement in the Atlas mountains
by Stefano Bianca "Urban form in the arab world"

...a typical narrow street in old Jaddah, encourages face-to-face affiliation between pedestrians
by Hisham Mortada "Traditional islamic principles of built environment"

detail

which one is mine?

LUZ is missing

hay que dirigir la luz *

how long is NOW ?

me pido buenas vistas y aire fresco...NOW

somni .·:

RE··CAPITULAR

Zoom in

Faltan persianitas, pasarelitas, barandillitas, cortinitas...

Zoom Out

Línies paral·leles al mar ::: infraestructures paral·leles

cajitas, escaleritas, forjaditos

todo todo todo a 1:50

caja de bombones

petits . ·:

Moments

[Timeless]*

Time is an element of the universe to which everyone is bound. As time unfolds we are only to be left at the hands of change. However, it is who we are, our identity, our culture that triumphs over time. As we stand on the shoulders of giants, our contribution to the evolution of society may seem insignificant, but it is the timeless of this moment that will be our drop in the ocean.
http://www.lsetimeless.co.uk/

[Una pausa d'esperança infinita]

vierendeel, pratt, howe

habitatge suspès:

Cal penjar l'habitatge:
. per aconseguir vistes
. per deixar terreny lliure i minimitzar l'impacte
. per evitar construir soterranis per cotxes
. per evitar el problema del nivell freàtic, humitats...

Definició de tres tipus:
. tipus INDÚSTRIA (façana opaca, llum zenital, vistes a l'interior, patis, palaus c/Montcada)
. tipus ELEVAT (superposició de dos estructures neutres, creació d'espai de pas inferior)
. tipus AGRARI (busca vistes, intercala hivernacles, minimitza impacte)

Variacions:
. desplaçament dels habitacles
. processos de densificació o d'esponjament
. terrasses superiors
.
.
.

habere, habitar, habitacle

"Catalan architecture has always been characterized by its pragmatic, non-speculative attitude towards projects. It has tended to solve the particular problems posed in each case without resorting to a priori formulations that were not of a formal order, and has mistrusted theoretical statements that were more or less understood as a limitation of its possibilities of action. This fact has endowed it with a certain flexibility to adapt itself to a diverse, disordered situation with some very restrictive socioeconomic conditions. But it has also rendered itself unfit for making propositions that were not connected to specific conditions and thus have a role with more initiative within the dynamics of society. Consequently, this pragmatic attitude, devoid of debate, has produced in the last few years an architecture more interested in choosing finishings than in making proposals that significantly affect society and force the routine of assignments and programs that it offers. In this sense, the architecture of Alfons Soldevila and Josep Ignasi Llorens is quite exceptional and out of the mainstream...these experimental dwellings or prototypes insistently rise fundamental architectural questions with the intention of redefining the inhabitable space to adjust it to current production means and to social necessities of contemporary life. Aspects such as the type of user, the evolution of family units throughout time or changing ways of life, are found at the very core of these prototypes, which adapt themselves to these requirements to be able to answer them: permitting changes in their spatial configuration, growing or diminishing according to the necessities of its occupants or, simply, allowing its self-construction."
"..housing is, at present, a neglected subject. Witness the case of Catalonia: since the new democratic public administrations have become the main clients for architects, experimental domestic architecture has been reduced to an interstitial role, often limited to suburban single-family houses without a significant presence in the market of collective dwellings..."
"The proposals of Soldevila and Llorens pretend instead to requalify the space of the human dwelling...One of the main characteristics...a container that has an elemental parallelepipedical shape but reproduces the original protection of the cave: a frontal opening and an enclosed rear...A protection that has to be understood not only from a functional point of view but, above all, in its deep psychological sense. This necessity to create a perfectly controllable environment, so different from the maximum exposure of the Farnsworth House..."

from the book "Habitatges experimentals 1971-1994 A.Soldevila-J.I.Llorens, arq." by Enirc Massip i Bosch

Deixem enrera els....

regals de Nadal ****
treballs de Construcció VI
treballs d' Estructures III
sol·licituds
................................................................................................
tornem a treballar, a projectar i a disfrutar sobretot, disfrutar
"y si bien el éxito no es la base de la felicidad, ésta sí es la base de cualquier éxito..."

per Ron van der Ende
et altri

*2009

Soldevila

"el punt B pot trobar-se 1500 km més enllà, a la plaça del Vaticà per exemple"

B .

to B or not to B: that is the question.

Does a bridge leads always somewhere?
If it starts in point A, what is point B?
What is considered a point and what not?
Is a point a Destination?
Is it a building?
Looking for point B and its meaning.

En la geometría del espacio un plano lo podemos definir de cuatro formas diferentes:

a) Mediante dos rectas que se cortan.

b) Mediante tres puntos no alineados.

c) Mediante una recta y un punto que no se pertenezcan.

Sobre la definición de plano.

details & germs

"...Many of the studios ... were organized to design a germ of fitting- to turn the studio upside down and run it backwards. So studios did not move from master plan to detail, but rather began with detail and moved to multiple scenarios for the propagation of the detail. If it had been drama school, it would have been not a master class in the recitation of Hamlet's soliloquy, but rather a class in building reactive skills necessary for improvisation." K.Easterling